Their Mom is from Australia, so for the boy I made friendship stars using kangaroo fabrics. For big sister, I pulled out one of those mini charm packs. How do you make a quilt with 42 2-inch squares? Add lots of white!
Sunday, November 30, 2014
Two small quilts
When our friends had their first child, a daughter, I thought about making her a quilt, but Life intruded & it didn't happen. Six (!) years later, they have had their second child, a son. Since this seems to be my Year to Make Quilts, I thought I would make the boy a quilt. And, well, I can't give the baby a quilt & not give big sister one, also. Right? So, two quick, cute quilts!
Their Mom is from Australia, so for the boy I made friendship stars using kangaroo fabrics. For big sister, I pulled out one of those mini charm packs. How do you make a quilt with 42 2-inch squares? Add lots of white!
Their Mom is from Australia, so for the boy I made friendship stars using kangaroo fabrics. For big sister, I pulled out one of those mini charm packs. How do you make a quilt with 42 2-inch squares? Add lots of white!
Sunday, November 23, 2014
Meet Dorothy
Dorothy is a simple 16-patch -- half Kaffe Fassett polka dots, half Connecting Threads pin dots. She measures 72 x 80 inches. Her backing is a white-on-white polka dot, batting is a bamboo & cotton blend, quilting is wiggle zigzag & her binding is striped.
She's been finished for a while, but with the shorter days & bad weather -- which always seemed to come on the weekend! -- I haven't been able to get a good photo. We got to use her during the cold snap & she works just fine! Could I love Dorothy more? I don't think so!
She's been finished for a while, but with the shorter days & bad weather -- which always seemed to come on the weekend! -- I haven't been able to get a good photo. We got to use her during the cold snap & she works just fine! Could I love Dorothy more? I don't think so!
if quilts could talk
I suspect that many people, both quilters & non-quilters, have happened upon a well-loved, home-y -- maybe a little homely -- quilt or top at an antique shop, thrift store, garage sale & been moved by its sweet nature & good price to buy it. Someone didn't love it, but something about it speaks to us so much so that we do & want give it a Forever Home. I've had the very good fortune to have inherited quite a few quilts & tops, but still, I've brought home quite a few more.
My most recent addition I got at this year's Quilt Festival -- a mid-20th century string top. The strings are stitched to cloth foundation squares. Many of the foundations are coarse white cotton -- probably sacking of some sort. But there are also a few prints & some pink rayon squares (smart, I thought, the rayon gives a base for the string sewing without adding much bulk or stiffness). I had thought it was all machine made, but closer inspection showed there are quite a lot of hand-sewn squares, maybe more than machine-sewn ones. And the hand-stitches are nice & small, suggesting a skilled needle-person (probably a woman, but you never know).
And the fabrics! WOW! Everything is here! There are solids, florals, printed & woven plaids, stripes wide & narrow; coarse sacking, fine sheeting, seersucker, pique, twill & one that might be silk. In the prints we see flowers, fruit, birds, teddy bears, Mother Goose characters, cowboys, palm fronds, dots, buttons, fish, houses, Mickey Mouse & friends, a parade, a girl at a soda fountain & deep sea divers! There are more than one color way of at least two prints. My guess is that most of the fabrics are from the late 1940s to early 1950s. But there are some muted prints that make me wonder if they are from the 1920s & a bold pique that could be from the 1960s. I really wish it could tell me where & how its maker got so many fabrics!
Making this top into a quilt will hide its inner story, but I suppose by documenting it here, it will live on. Quilt historians say that a quilt is as old as the youngest fabric in it, so if I do finish this top, I will bring it in the early 21st century. The backing I assembled is two fabrics -- one I found in my parents' house, a butterfly stripe from the early 1960s, some stripes cut away to embellish play clothes made for me by my Mom. The other is a big hunk I got at a Big Box store. I think I want to hand quilt it, big stitch next to the string seams -- so it will be a long-term project. But no hurry! And I really want to spend some time with these fabrics.
My most recent addition I got at this year's Quilt Festival -- a mid-20th century string top. The strings are stitched to cloth foundation squares. Many of the foundations are coarse white cotton -- probably sacking of some sort. But there are also a few prints & some pink rayon squares (smart, I thought, the rayon gives a base for the string sewing without adding much bulk or stiffness). I had thought it was all machine made, but closer inspection showed there are quite a lot of hand-sewn squares, maybe more than machine-sewn ones. And the hand-stitches are nice & small, suggesting a skilled needle-person (probably a woman, but you never know).
And the fabrics! WOW! Everything is here! There are solids, florals, printed & woven plaids, stripes wide & narrow; coarse sacking, fine sheeting, seersucker, pique, twill & one that might be silk. In the prints we see flowers, fruit, birds, teddy bears, Mother Goose characters, cowboys, palm fronds, dots, buttons, fish, houses, Mickey Mouse & friends, a parade, a girl at a soda fountain & deep sea divers! There are more than one color way of at least two prints. My guess is that most of the fabrics are from the late 1940s to early 1950s. But there are some muted prints that make me wonder if they are from the 1920s & a bold pique that could be from the 1960s. I really wish it could tell me where & how its maker got so many fabrics!
Making this top into a quilt will hide its inner story, but I suppose by documenting it here, it will live on. Quilt historians say that a quilt is as old as the youngest fabric in it, so if I do finish this top, I will bring it in the early 21st century. The backing I assembled is two fabrics -- one I found in my parents' house, a butterfly stripe from the early 1960s, some stripes cut away to embellish play clothes made for me by my Mom. The other is a big hunk I got at a Big Box store. I think I want to hand quilt it, big stitch next to the string seams -- so it will be a long-term project. But no hurry! And I really want to spend some time with these fabrics.
Sunday, November 02, 2014
Fall back
I will be using my extra hour today catching up on housework & resting a bit -- & maybe a bit of sewing.
I spent Wednesday evening, all day Thursday & Friday at the Quilt Festival. I am foot-sore & sensory-overloaded! I enjoyed myself more than I have in recent years -- I don't really know why, can't really explain it. When my feet were run over by rolling carts, when my sides were jabbed by bulky bags, when the woman in front of me suddenly stopped to admire something cute or beautiful or whatever -- I just smiled & accepted it as part of the Whole Experience. The not-my-style quilts that I usually pass by with a nod & a yawn, this year I stopped to really look at & admire & learn. I felt more open to Quilts, Quilters, Quilt-making, than I have for a long time. It was nice.
I caught up with friends that I see once a year at Festival, hung out with other friends who I see more regularly, made a few new friends & deepened a relationship or two. I came away with a vintage string top that I am completely crazy about, 3 pairs of scissors, just a bit of fabric &, most importantly, a fresh perspective on who I am as a quilter & where I want to go with my quilting.
I spent Wednesday evening, all day Thursday & Friday at the Quilt Festival. I am foot-sore & sensory-overloaded! I enjoyed myself more than I have in recent years -- I don't really know why, can't really explain it. When my feet were run over by rolling carts, when my sides were jabbed by bulky bags, when the woman in front of me suddenly stopped to admire something cute or beautiful or whatever -- I just smiled & accepted it as part of the Whole Experience. The not-my-style quilts that I usually pass by with a nod & a yawn, this year I stopped to really look at & admire & learn. I felt more open to Quilts, Quilters, Quilt-making, than I have for a long time. It was nice.
I caught up with friends that I see once a year at Festival, hung out with other friends who I see more regularly, made a few new friends & deepened a relationship or two. I came away with a vintage string top that I am completely crazy about, 3 pairs of scissors, just a bit of fabric &, most importantly, a fresh perspective on who I am as a quilter & where I want to go with my quilting.
Monday, October 13, 2014
The lies that lying liars tell
Do you recall me saying that I was not going quilt with my wiggle-y walking-foot zigzag for a while?
Well, I lied.
To date, I have 5 quilts I've kept & a few I've given away that I have quilted with this manipulated programmed stitch. The first time I used it was in combination with straight stitching around oval templates -- the result was a braid-look. After that I did parallel lines, the others have all been grids of varying widths, some parallel, some perpendicular to the quilt edge. I LOVE the look I get with it -- especially after the quilt has been washed & dried -- so cozy & crinkle-y.
But I worried I was over-using it, getting in a Wiggle-y Zigzag Rut, so to speak, so I "vowed" to leave it behind. I should have waited to make such a sweeping statement. I quilted all the + quilts with it. With 3 quilts made assembly line-style, I wanted quick, easy & utilitarian quilting -- the wiggle-stitch is perfect for this & I think it looks a little fancier than it is. It is also great for in-the-ditch quilting, hides any wobbles away from the Straight & Narrow. I also like it with very perpendicular patchwork, kind of softens & counterbalances the look. Now that the Christmas quilts are done, I'm using The Wiggle Stitch on my dotty 16-patches. As soon as I began piecing them, I saw them quilted with this stitch -- more blocky patchwork calmed with snake-y stitching.
Never say never, right? :-}
Well, I lied.
To date, I have 5 quilts I've kept & a few I've given away that I have quilted with this manipulated programmed stitch. The first time I used it was in combination with straight stitching around oval templates -- the result was a braid-look. After that I did parallel lines, the others have all been grids of varying widths, some parallel, some perpendicular to the quilt edge. I LOVE the look I get with it -- especially after the quilt has been washed & dried -- so cozy & crinkle-y.
But I worried I was over-using it, getting in a Wiggle-y Zigzag Rut, so to speak, so I "vowed" to leave it behind. I should have waited to make such a sweeping statement. I quilted all the + quilts with it. With 3 quilts made assembly line-style, I wanted quick, easy & utilitarian quilting -- the wiggle-stitch is perfect for this & I think it looks a little fancier than it is. It is also great for in-the-ditch quilting, hides any wobbles away from the Straight & Narrow. I also like it with very perpendicular patchwork, kind of softens & counterbalances the look. Now that the Christmas quilts are done, I'm using The Wiggle Stitch on my dotty 16-patches. As soon as I began piecing them, I saw them quilted with this stitch -- more blocky patchwork calmed with snake-y stitching.
Never say never, right? :-}
Friday, October 10, 2014
Quilts for quilters
I recently made a quilt for a friend who quilts. It was a milestone birthday for her. She is so adorable, she deserves a quilt every day of the year, but I just made her the one.
Back in the spring, I gave her a long list of questions to help me get what I would make for her in focus: solids or prints? cool colors or warm? scrappy or controlled? blocky or overall pattern? Etc, etc, etc. I finally chose a palette & pattern, but then I was nearly frozen with anxiety over whether or not my choices were right. I can't explain it, it isn't that I put less love & effort into a quilt for a non-quilter, but somehow it feels different making a quilt for a quilter. Not that a quilter will be more picky, probably less so. But something about making something for someone who knows how make the thing themselves, I just want it to be just right. Anyway, I finally bundled up my courage & dove in. Because of the interlocking design, laying out the colors was challenging, but not difficult & the piecing was quite easy. I free-motion quilted it it a pebble pattern -- again, challenging but not hard & I certainly improved from the beginning to the end. Overall, a pretty successful quilt.
And she loved it!
Back in the spring, I gave her a long list of questions to help me get what I would make for her in focus: solids or prints? cool colors or warm? scrappy or controlled? blocky or overall pattern? Etc, etc, etc. I finally chose a palette & pattern, but then I was nearly frozen with anxiety over whether or not my choices were right. I can't explain it, it isn't that I put less love & effort into a quilt for a non-quilter, but somehow it feels different making a quilt for a quilter. Not that a quilter will be more picky, probably less so. But something about making something for someone who knows how make the thing themselves, I just want it to be just right. Anyway, I finally bundled up my courage & dove in. Because of the interlocking design, laying out the colors was challenging, but not difficult & the piecing was quite easy. I free-motion quilted it it a pebble pattern -- again, challenging but not hard & I certainly improved from the beginning to the end. Overall, a pretty successful quilt.
And she loved it!
Monday, October 06, 2014
Hives
I know you know what I'm talking about.
You've been going along for a while (doesn't it seem like *forever*?), things are moving forward, things are good, but they just aren't -- well -- exciting anymore. It has become routine & almost seems like work now. You are easily distracted. A quicky detour here & there helps scratch the itch. Then there is that new, fresh face that has really captured your attention. And the old familiar one that you are seeing in a new way. Or? Hmmmm, maybe the two together ........
Wait a minute! You didn't think I was talking about Shug, did you?!?! No!!!!
Quilting projects!!! I'm talking about quilting projects!!!!!
Phew! OK, now that we are on the same page.
I know you know what I'm talking about.
Much of my summer was spent with the 3 + quilts. I enjoyed them, though on the downhill side I did get a little tired of them. I was itching to sew on something different. I could have taken a break & dipped in my deep pool of WIPs -- spike-y batik stars, wonky vintage brown stars, Terra Australis zigzags, my own + quilt, etc, etc -- but I *had* to start something new, so I started some flying geese with men's shirts. (Which brings me to a philosophical question: when does a Work In Progress become an Unfinished Object? Not working on it for 6 months? A year? Longer? Or does it have to completely sink from sight & mind for 6 months? A year? Longer?
Hmmmm, a question to ponder .....)
Now that the + quilts are finished, my time is more free. And even though I've got one more WIP than when I began them, I'm still looking at fabric stacks I've pulled -- MIL's skirt with a recent fabric gift, Liberty florals with solids, scrappy 2.5 inch squares from almost 20 years worth of projects -- & wanting to start something newer.
I have no trouble being true to Shug. But when it comes to my patchwork projects, I'm not so faithful -- a real bigamist!
You've been going along for a while (doesn't it seem like *forever*?), things are moving forward, things are good, but they just aren't -- well -- exciting anymore. It has become routine & almost seems like work now. You are easily distracted. A quicky detour here & there helps scratch the itch. Then there is that new, fresh face that has really captured your attention. And the old familiar one that you are seeing in a new way. Or? Hmmmm, maybe the two together ........
Wait a minute! You didn't think I was talking about Shug, did you?!?! No!!!!
Quilting projects!!! I'm talking about quilting projects!!!!!
Phew! OK, now that we are on the same page.
I know you know what I'm talking about.
Much of my summer was spent with the 3 + quilts. I enjoyed them, though on the downhill side I did get a little tired of them. I was itching to sew on something different. I could have taken a break & dipped in my deep pool of WIPs -- spike-y batik stars, wonky vintage brown stars, Terra Australis zigzags, my own + quilt, etc, etc -- but I *had* to start something new, so I started some flying geese with men's shirts. (Which brings me to a philosophical question: when does a Work In Progress become an Unfinished Object? Not working on it for 6 months? A year? Longer? Or does it have to completely sink from sight & mind for 6 months? A year? Longer?
Hmmmm, a question to ponder .....)
Now that the + quilts are finished, my time is more free. And even though I've got one more WIP than when I began them, I'm still looking at fabric stacks I've pulled -- MIL's skirt with a recent fabric gift, Liberty florals with solids, scrappy 2.5 inch squares from almost 20 years worth of projects -- & wanting to start something newer.
I have no trouble being true to Shug. But when it comes to my patchwork projects, I'm not so faithful -- a real bigamist!
Sunday, October 05, 2014
Don't go there
But if I do go there, should I bring scissors?
Last spring, I went with several HMQG-ers on a day trip to La Grange, Texas. If you are ever anywhere in SE Texas, you really should make this trip. La Grange is a charming, old-timey Texas town. It is also home to the Texas Quilt Museum. The museum, begun by the organizers of the International Quilt Festival, is housed in what was once 19th century retail space & has been beautifully restored to a new purpose -- that is displaying quilts.
When we were there, the special exhibit was butterfly quilts -- beautiful quilts in a beautiful space! I was standing in front of a quilt with another Guild member, um, a 'mature' woman like myself. This quilt had a large variety of fabrics, not just cottons, but satins, brocades, velvets. I don't remember who said it first, maybe we said it together, but we each had the same thing on our minds -- cutting up our wedding dresses! Both of us in happy marriages, for years we've lugged around our dresses & allowed them to take up space. Neither us see much likelihood of anyone ever wanting to wear our dresses. We told the rest of the group what we had been thinking; the more recent brides looked horrified, the ones with more candles on their anniversary cakes looked intrigued.
I loved my wedding dress! I remember like it was yesterday shopping with my Mom, putting on mine & immediately knowing, "this is MY dress." But now what? No daughters, my nieces either have different bodies or are already married. I'll never again be able to zip the tiny thing, so I can't even wear it as a Halloween costume! Yes, I could sell or donate it, it may be getting old enough to be considered vintage. :-} Or I could incorporate the fabric in patchwork -- kind of a have-my-cake-and-eat-it-too approach.
A few years ago I stumbled upon Cassandra Ellis. I liked this quilt & I really loved her attitude & approach to quilts & quilt-making. She has transformed my thinking about fabric & combining fabric in quilts! Chunky hunks & precious slivers of treasured fabrics make beautiful, meaningful &nurturing quilts. The old & the new; silk, cotton, velvet, wool -- all together in one quilt. I have dear bits of very old family clothing, many of them rayon, with which I have long wanted to make something. Ms. Ellis may be my Muse.
I'm not there yet, but if I go, I may bring scissors.
Last spring, I went with several HMQG-ers on a day trip to La Grange, Texas. If you are ever anywhere in SE Texas, you really should make this trip. La Grange is a charming, old-timey Texas town. It is also home to the Texas Quilt Museum. The museum, begun by the organizers of the International Quilt Festival, is housed in what was once 19th century retail space & has been beautifully restored to a new purpose -- that is displaying quilts.
When we were there, the special exhibit was butterfly quilts -- beautiful quilts in a beautiful space! I was standing in front of a quilt with another Guild member, um, a 'mature' woman like myself. This quilt had a large variety of fabrics, not just cottons, but satins, brocades, velvets. I don't remember who said it first, maybe we said it together, but we each had the same thing on our minds -- cutting up our wedding dresses! Both of us in happy marriages, for years we've lugged around our dresses & allowed them to take up space. Neither us see much likelihood of anyone ever wanting to wear our dresses. We told the rest of the group what we had been thinking; the more recent brides looked horrified, the ones with more candles on their anniversary cakes looked intrigued.
I loved my wedding dress! I remember like it was yesterday shopping with my Mom, putting on mine & immediately knowing, "this is MY dress." But now what? No daughters, my nieces either have different bodies or are already married. I'll never again be able to zip the tiny thing, so I can't even wear it as a Halloween costume! Yes, I could sell or donate it, it may be getting old enough to be considered vintage. :-} Or I could incorporate the fabric in patchwork -- kind of a have-my-cake-and-eat-it-too approach.
A few years ago I stumbled upon Cassandra Ellis. I liked this quilt & I really loved her attitude & approach to quilts & quilt-making. She has transformed my thinking about fabric & combining fabric in quilts! Chunky hunks & precious slivers of treasured fabrics make beautiful, meaningful &nurturing quilts. The old & the new; silk, cotton, velvet, wool -- all together in one quilt. I have dear bits of very old family clothing, many of them rayon, with which I have long wanted to make something. Ms. Ellis may be my Muse.
I'm not there yet, but if I go, I may bring scissors.
Monday, September 15, 2014
Around the World Blog Hop
Ailsa at Cape Pincushion tagged me for the Around the World Blog Hop! Thanks, Ailsa! (Go check out her blog, she does lovely, lush patchwork.) I have to admit I wasn't sure whether or not to join in this Hop. Then I read the questions for us "hop-pers" to answer & my doubts disappeared. I love probing questions like these, not the what's-you-favorite-color kind, but the real, what-makes-you-tick kind. Not only do they help others to better know you, they help you to better understand yourself.
So here goes:
- What quilting/sewing thing am I working on?
- How does my work differ from others of its genre?
- Why do I create/write what I do?
- How does my creating/writing process work?
I'm passing it to YOU. If you have read these questions & my answers & have begun to ponder your own answers, then you have been tagged. Blog them if you like (if you do, link back to me, please) or just keep them in your head -- though I have come to believe there is value in actually writing them down.
Sunday, September 07, 2014
Sunday, August 24, 2014
Oh, Shirt
Before I married, I probably did a thrift store outing at least once a month. I would usually go to more than one store & I would often have my Mom with me. After moving to Texas, there were fewer opportunities, less time & I got out of the routine of thrifting. Then several years ago, a Goodwill store opened up just minutes from our house. I was so excited! I went once. It was early in Mom's move to nursing care & it just made me sad being there alone, so I left & did not go back.
A few weeks ago, I took a stay-cation from work. One of the things I wanted to do was revisit the Goodwill. I went & among the curtains & linens, I found something labeled "laundry bag". The fabric looked vintage & at $2, the price was right. Examining it at home, I realized I had just gotten a feed sack that was still an actual sack! Well, this primed my thrifting pump! So in 3 days, I visited 3 Goodwill stores. At the 2nd one, I looked at the men's shirts & found lots of large (VERY large!), good quality, crisp-from-the-cleaners blue & white dress shirts. Well, what can a fabricholic do? I am now the happy owner of 12 de-boned men's dress shirts (longing for a few more, maybe some gingham & some oxford solids).
I have no business starting something new -- there's the birthday quilt I need to get busy on plus several more small gift projects & then there are aaaaaallllll the WIPs I have hanging around now.
But that didn't stop me.
A few weeks ago, I took a stay-cation from work. One of the things I wanted to do was revisit the Goodwill. I went & among the curtains & linens, I found something labeled "laundry bag". The fabric looked vintage & at $2, the price was right. Examining it at home, I realized I had just gotten a feed sack that was still an actual sack! Well, this primed my thrifting pump! So in 3 days, I visited 3 Goodwill stores. At the 2nd one, I looked at the men's shirts & found lots of large (VERY large!), good quality, crisp-from-the-cleaners blue & white dress shirts. Well, what can a fabricholic do? I am now the happy owner of 12 de-boned men's dress shirts (longing for a few more, maybe some gingham & some oxford solids).
I have no business starting something new -- there's the birthday quilt I need to get busy on plus several more small gift projects & then there are aaaaaallllll the WIPs I have hanging around now.
But that didn't stop me.
Saturday, August 23, 2014
A Detour
Recently, I learned that my cousin's husband has stage 4 esophageal cancer.
Together, my cousin & her husband are a formidable pair; on an even playing field, I'd bet on them over cancer. But as you know, cancer rarely fights fair. They have quite a battle ahead of them. There isn't much I can do from such a distance, but the one thing I can do is make a quilt to warm them during treatments &, fingers crossed, recovery.
He was in the Navy when they married -- a handsome sailor in his dress blues at their wedding. So I thought country-style, Americana fabrics would be appropriate. A pull from my stash (this was a total stash quilt, from top to pieced batting to backing -- very satisfying!), a quick & easy pattern from Timeless Treasures & a quilt will soon be in the mail.
Together, my cousin & her husband are a formidable pair; on an even playing field, I'd bet on them over cancer. But as you know, cancer rarely fights fair. They have quite a battle ahead of them. There isn't much I can do from such a distance, but the one thing I can do is make a quilt to warm them during treatments &, fingers crossed, recovery.
He was in the Navy when they married -- a handsome sailor in his dress blues at their wedding. So I thought country-style, Americana fabrics would be appropriate. A pull from my stash (this was a total stash quilt, from top to pieced batting to backing -- very satisfying!), a quick & easy pattern from Timeless Treasures & a quilt will soon be in the mail.
Tuesday, July 29, 2014
Nonplussed
Sorry. This post's title -- Nonplussed -- doesn't really fit. The dictionary says the word means confused or surprised. Although a second, informal North American definition is given as unperturbed, not bothered. (I suspect, by "North American", they do not really mean to include Canadians & Mexicans. It seems a uniquely United States of American thing to do -- take a word & through mass misuse, change it's meaning to nearly the opposite of its definition.)
Anyway, enough semantics.
I just wanted to update you on my Christmas + quilts.
One niece quilt is almost done, quilted & nearly all bound. I'm close to finishing the quilting on the one for my brother & the blocks for the other niece quilt are over half made. My quilt's status remains at the first 4 blocks I made. I suspect it would be a big mistake, but I'm kind of tired of + blocks & am thinking of putting them aside for a while, not finishing it with the group. Historically, this sort of behavior has meant that this is the quilt that does not get finished. So -- big sigh -- I will keep the parts at hand & will continue to plug away at them.
Come to think of it, maybe you are nonplussed -- maybe I am, too!
Anyway, enough semantics.
I just wanted to update you on my Christmas + quilts.
One niece quilt is almost done, quilted & nearly all bound. I'm close to finishing the quilting on the one for my brother & the blocks for the other niece quilt are over half made. My quilt's status remains at the first 4 blocks I made. I suspect it would be a big mistake, but I'm kind of tired of + blocks & am thinking of putting them aside for a while, not finishing it with the group. Historically, this sort of behavior has meant that this is the quilt that does not get finished. So -- big sigh -- I will keep the parts at hand & will continue to plug away at them.
Come to think of it, maybe you are nonplussed -- maybe I am, too!
Monday, July 14, 2014
Friends
I first saw Emma Jean Jansen's fabric line, Terra Australis, on Instagram -- it was love at first sight!
The dots! The stripes! The eucalyptus! The colo(u)rs! The KANGAROOS!
Then, my friend, QuiltingCyclist, had a 'log' (aka, bundle of 2.5 inch strips) at the HMQG retreat. I was eager to see the line in person. She started something fun with it at retreat & made some sly & oblique comments about how I might get some soon. That weekend, I got on Etsy, found a seller who had a Terra Australis log, put it in my cart, but did not Proceed To Checkout. The following week, a mysterious, squishy package arrived in the mail -- funny, I didn't remember ordering anything. I opened the package & found Terra Australis! *Very* funny -- had I accidentally ordered this? Then I found the note: "Enjoy! From your Friend!"
{Big Hug}, QuiltingCyclist! I *will* enjoy! Thank you so much!!!
So what to do with this fun fabric? In my Idea Book, I have lots of sketches of things to do with 2.5 inch strips. But I wanted to use this line to its fullest advantage, so maybe following a pattern -- something I don't often do, something I'm not very good at -- might be a smart way to go. This way I'll know how much fabric I will use & how big my finished quilt will be. A new book provided the path: Strip Savvy by Kate Henderson has a simple, strippy block that can set together in a variety of ways.
I chose a pale gray as my background. My choice is, well, interesting -- it is nearly the same value of some of the prints, darker than some, lighter than others. Hmmmmm, I am eager to see how this develops.
The dots! The stripes! The eucalyptus! The colo(u)rs! The KANGAROOS!
Then, my friend, QuiltingCyclist, had a 'log' (aka, bundle of 2.5 inch strips) at the HMQG retreat. I was eager to see the line in person. She started something fun with it at retreat & made some sly & oblique comments about how I might get some soon. That weekend, I got on Etsy, found a seller who had a Terra Australis log, put it in my cart, but did not Proceed To Checkout. The following week, a mysterious, squishy package arrived in the mail -- funny, I didn't remember ordering anything. I opened the package & found Terra Australis! *Very* funny -- had I accidentally ordered this? Then I found the note: "Enjoy! From your Friend!"
{Big Hug}, QuiltingCyclist! I *will* enjoy! Thank you so much!!!
So what to do with this fun fabric? In my Idea Book, I have lots of sketches of things to do with 2.5 inch strips. But I wanted to use this line to its fullest advantage, so maybe following a pattern -- something I don't often do, something I'm not very good at -- might be a smart way to go. This way I'll know how much fabric I will use & how big my finished quilt will be. A new book provided the path: Strip Savvy by Kate Henderson has a simple, strippy block that can set together in a variety of ways.
I chose a pale gray as my background. My choice is, well, interesting -- it is nearly the same value of some of the prints, darker than some, lighter than others. Hmmmmm, I am eager to see how this develops.
Machine No. 10
I don't really think of myself as Sewing Machine Collector, but there must be a threshold when casual accumulation becomes obsession.
For many years, I had just the one machine, my Bernina. Then I was gifted with not one, but two Singer Featherweights by my French friend. The first one proved a lifesaver when my Bernina was in the shop, making me see the wisdom of having at least 2 machines. I inherited my Mother's & Grandmother's cabinet machines -- Mom's, a Kenmore from 1949 or 1950, is the machine I learned to sew on; Grandma's is a treadle machine, a Ben Hur, that hasn't worked in decades because the belt is broken -- both are more sentimental than functional. I got the hand-crank Singer for power-outage sewing. The Brother machine has a deep throat-space & lots of power; I got him because I was quilting more & larger quilts. My Singer 66 Lotus is an Art Object -- I haven't sewn with her, she should be on display. I was casually looking at machines on eBay & saw the pale green White. I liked her because she was pretty & after a tune-up, she's a joy to sew with.
So:
I'm officially in the "like another hole in the head" zone with my sewing machines. For no good reason, I still hanker for a blue & white Morse -- they look like a 57 Chevy, 2-toned & chrome-y -- & a pink International. I had thought I should stop at 9, a perfect square. Now I have 10, a nice base number. But maybe I should try for 11, a prime number? A friend suggested 13, a baker's dozen -- & another prime number!
Mathematicians? Numerologists? Financial counselors? Suggestions?
For many years, I had just the one machine, my Bernina. Then I was gifted with not one, but two Singer Featherweights by my French friend. The first one proved a lifesaver when my Bernina was in the shop, making me see the wisdom of having at least 2 machines. I inherited my Mother's & Grandmother's cabinet machines -- Mom's, a Kenmore from 1949 or 1950, is the machine I learned to sew on; Grandma's is a treadle machine, a Ben Hur, that hasn't worked in decades because the belt is broken -- both are more sentimental than functional. I got the hand-crank Singer for power-outage sewing. The Brother machine has a deep throat-space & lots of power; I got him because I was quilting more & larger quilts. My Singer 66 Lotus is an Art Object -- I haven't sewn with her, she should be on display. I was casually looking at machines on eBay & saw the pale green White. I liked her because she was pretty & after a tune-up, she's a joy to sew with.
So:
- 1 machine, a deliberate & considered purchase that I've never regretted
- 4 machines, gifted or inherited, I think of them as passive acquisitions
- 2 machines, acquired to fill a need,
- 2 machines, acquired merely because they are pretty
- Total: 9 machines
I'm officially in the "like another hole in the head" zone with my sewing machines. For no good reason, I still hanker for a blue & white Morse -- they look like a 57 Chevy, 2-toned & chrome-y -- & a pink International. I had thought I should stop at 9, a perfect square. Now I have 10, a nice base number. But maybe I should try for 11, a prime number? A friend suggested 13, a baker's dozen -- & another prime number!
Mathematicians? Numerologists? Financial counselors? Suggestions?
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